play_arrow

keyboard_arrow_right

skip_previous play_arrow skip_next
00:00 00:00
playlist_play chevron_left
volume_up
chevron_left
  • Home
  • keyboard_arrow_right Episodes
  • keyboard_arrow_right SGV 007: El Monte’s racist pioneer myth exposed in East of East

Episodes

SGV 007: El Monte’s racist pioneer myth exposed in East of East

Chris Greenspon December 17, 2020 110


Background
share close
SGV Weekly
SGV 007: El Monte's racist pioneer myth exposed in East of East
/

The history book East of East began out of disgust with El Monte’s origin story as the “End of the Santa Fe Trail.” In 2012, the city celebrated it’s centennial with a wagon train parade based on the sanitized narrative of the southern pioneers whose descendants founded the township – instead of honoring Monte’s actual residents, roughly 95% of whom are Latino or Asian. The book’s editors decided that they would investigate the area’s public history, centering the stories of people of color while exposing the truth about the pioneer settlers.

South El Monte native Christine Tran. Courtesy of South El Monte Arts Posse via Christine Tran

The project was founded by South El Monte Arts Posse’s Romeo Guzman and Carribean Fragoza. Fragoza is an art critic, journalist, and poet who’s written for KCET. She was born and raised in South El Monte and graduated from SEM High School in 1999. Her creative non-fiction as well as journalism graces several chapters of the book. Guzman was, at inception, a historian in training at Columbia University (as well as a Mt. SAC alum), and now teaches public history at Claremont Graduate University. His family has roots in South El Monte, though he grew up in Pomona and attended Garey High. He served as East of East’s lead editor. The book was also edited by Ryan Reft and Alex Sayf Cummings.

Lily and Vincent Rojas Jr. in Hicks Camp, 1952. Reprinted with permission from South El Monte Arts Posse via Vincent Rojas Jr.

Initially, oral histories were recorded with the help of other locals and homies. Over time articles were published on KCET that would eventually become chapters of the book. An older history written by the Works Progress Administration under the New Deal proclaimed the town had no Spanish, Mexican, or Indigenous roots – Whites Only. East of East starts with the region’s indigenous background followed by colonization as the bedrock of its story. This legacy of racism and discrimination gave way to the radical politics of the Brown Berets, Teatro Urbano, and legendary exiled anarchist Ricardo Flores Magon, as well as the Monte boys lynch mob, Klansmen in public office, and a fledgling outpost for American Nazis.

Enrique and Ricardo Flores Magon. The two anarchist publishers were exiled from Mexico and found themselves living in La Puente and El Monte respectively, raising money for political and labor causes when they could. Reprinted with permission from South El Monte Arts Posse via La Casa de el Hijo del Ahuizote

Seeing El Monte as a point where a clamor for equality was continuously fomented, if not glorified, East of East documents a fuller identity for the town than the “End of the Santa Fe Trail” (which it is not). This episode also looks at the pre-existing, segregated narratives of El Monte that have existed for decades at the town’s two museums, the El Monte Historical Museum and La Historia.

The original version of this story ran on KCRW’s Greater LA with Steve Chiotakis on June 24, 2020. It was edited by Sonya Geis.

South El Monte Arts Posse celebrating the completion of their new mural in 2016. Courtesy of South El Monte Arts Posse
Rate it
Avatar
Author

Chris Greenspon

I'm a radio journalist from La Puente, California. I've worked for KPCC, KNX, and KFWB, and freelanced to many others. My specialties are human interest stories, cultural criticism, and audio engineering.

list Archive

Previous post
Post comments (0)

Leave a reply

Your email address will not be published. Required fields are marked *